About me

My fascination with the psychology of place, spirituality, and the environment has been lifelong.

It started early in childhood with visions of spatial energy, premonitions and an obsession with rearranging furniture - this was later what I call “housetrained” through traditional education, design training, and a BA in Human Geography. The more spiritual aspects are in continual reclamation through inner work.

From around the age of 10, I had another calling - the theatre. Following University, I plunged headlong into international career as an actor and theatre maker on stage and screen (as Ryan Kiggell). I had a blessed career and count myself very lucky to have seen the world, worked with amazing people, all the while immersing myself in the deep craft of performance. To cultivate the spontaneity, presence, rooted imagination and creativity that a storyteller requires, I tried just about every form of mind training I could access. This included years of Jungian analysis, yoga, meditation, Feldenkrais, Alexander Technique, Bowen and so on. I eventually discovered Nei Gong, the ancient Chinese wisdom tradition and self cultivation method, which frankly blew everything else out of the water. I went into intensive training for many years, qualifying as an instructor through Lotus Nei Gong.

During this time, I became a father, married, moved out of London and gradually stepped back from acting into teaching, and mentoring. Qi Gong led to the discovery of Feng Shui and its associated arts such as Ba Zi and Yi Ching. These subjects became an obsession - I felt like they were connecting me back to my childhood sensibilities. This, of course, as I accompanied my own children through their early childhood.

My love of the Wisdom Arts arts led to intensive training and mentorship with a number of established Feng Shui masters in the UK and abroad. I founded Lifehouse in 2020, and it has been a huge pleasure to build my Feng Shui practice over recent years. I am now a UK accredited consultant and an active affiliate member of the International Feng Shui Association.

Through my work and ongoing training, I am increasingly curious as to how our most ancient wisdom can be in dialogue with contemporary issues. I supplement my classical training with self-directed studies in areas such as regenerative architecture, ecological design, interior design, narrative psychology, dream work, history and mythology.

My ongoing aim is to bring these threads together — to create places that restore coherence between people, spirit, and space.

As well as my ongoing study of classical Chinese works - I love or feel compelled by the work of

In no particular order- Ursula K Le Guin, George Orwell, Philip Pullman, W B Yeats, Herman Hesse, Carl Jung, Marie Louise Von Franz, James Hillman, Michael White, Seth Goldenberg, Daniel Wahl, Jay Griffiths, William Shakespeare, Christopher Alexander, Dr Martin Shaw, Paul Kingsnorth, James Bridle, Rupert Sheldrake, Anton Chekhov, Konstantin Stanislavsky, Andrei Tarkovsky, Leo Tolstoy, Robin Wall Kimmerer, Peter Brook, John Berger, Marion Woodman, Robert Wilson, John Cage, T S Eliot, Christian Norberg-Schulz, David Graeber.

My take on the arts

Although arts such as Feng Shui feel like a homecoming for me, I have been quite disillusioned with the way they are taught and practised in the global West.

At its worst, Feng Shui has been boiled down to furniture placement and a certain kind of aspirational thinking. Meanwhile, Chinese Astrology is known for tacky horoscopes, caricatures and spiritual bypassing.

How has this come about? During the cultural revolution tens of thousands of classical texts were completely destroyed. This is an indirect legacy of the rapacious influence of Western orthodox science, religion and associated structures of self interest. The surviving tradition legitimised itself within the new world order by adopting a mundane and reductionist approach that is out of alignment with the original practices. The result is a kind of hollowed out, rigid set of Feng Shui formula and rules used in the service of personal gain.

As Feng shui came to the West, the methods were further denuded by a potpourri of new age energy practices, minimalism and oriental chintz.

As an advocate for authentic, classical methods and an Internal Arts practitioner, my ongoing aim is to meet Feng Shui and Chinese Astrology at their deepest richest roots, as a radical knowing of ourselves and our world through the powerful lens of ancient Daoist thought.

It is an embodied, soulful wisdom that mines the full depth of the human and more-than-human experience. What Ursula Le Guin calls the “pure apprehension of the mystery of which we are part”.

And though ancient, these ways of knowing are far from antiquated. I feel a kind of urgent curiosity as to how they can be brought into dialogue with contemporary challenges and practices, both within the individual and collective spheres.

To do this, I believe that we need to:

  • Demystify the Arts. the patterns and symbols that describe both outer and human nature are intimately familiar to us and always available. By recognising and reintegrating these timeless universal principles, we can better appreciate, understand, and cooperate with ourselves and our world. The implications for the various environmental, social, political and mental health crises we are currently experiencing are clear.

  • Re-embody and relate our understanding both to personal and collective spiritual growth. The Wisdom Arts form a beautiful and comprehensive system of understanding that helps us to map our experience. But in the Feng Shui world, knowledges can quickly become abstract, over-intellectualised and removed from the deeper reality that they are designed to represent. The symbols are pointing to something within or around us, and it is only by paying attention to - and working with - these phenomena, that we can transform ourselves, our buildings and our environment. To do this, we need to work with our awareness, and our qi, in practical, embodied ways.

In my work, I am committed to;

  • reclaiming the depth and vitality of these ancient Arts,

  • bringing them into authentic, embodied practice that creates real solutions for today’s challenges;

  • honouring their original purpose as a living dialogue between ourselves and the world;

  • fulfilling their transformative potential for the people and places that I work with.

Work with me

  • Life Guidance + Astrology Readings

    Using Chinese Astrology and the Yi Jing, I support people navigating transitions — or simply those curious to deepen their personal cultivation. The work brings insight into their nature and life path, helping transform uncertainty into clarity, confidence, and agency.

  • Feng Shui + Design

    Through Feng Shui, I work to regenerate and evolve spaces by aligning them with their surroundings, their occupants, and the cycles of time. This often means finding or optimising the energy of new homes, or transforming spaces that are unsettled or linked to challenging life issues.

  • Classes, Courses + Retreats

    I run monthly online classes in Feng Shui and Astrology, as well as occasional live courses and retreats teaching the Yi Jing. I also run a weekly Qi Gong class on the North Dorset / Somerset border

Some relrvant training and experience

  • BA (Hons) Geography at University College London

  • Qualified Qi Gong Instructor through a three-year intensive Qi Gong Certification with Lotus Nei Gong International .

  • Additional training and mentorship from Damo Mitchell and Sophie Johnson of Lotus Nei Gong

  • Extensive Ba Zi and Feng Shui training with Richard Ashworth, and Lily Chung, as well as additional courses with Howard Choy, Stephen Skinner and Liu Ming.

  • Accredited consultant and speaker with the UK Feng Shui Society

  • Affiliated Member of the London Chapter of the International Feng Shui Association

  • Qi Gong Instructor at The Mothership, Javeriana University Bogota, Essex University and Rose Bruford College. Assistant instructor at Bonhays Meditation Centre

  • Feng Shui writings published though Ideal Home, The Sherborne Times and others

  • Forest Garden Design course with the Agroforestry Trust.

  • Ongoing training with the Institute of Narratic Therapy

  • Various trainings in Interior Design, Neuroarchitecture, Regenerative Ecology, Biophilia, Permaculture, Insight Meditation etc

  • Design courses and theatre-making mentorship through platforms such as the Young Vic Studio, Cheek by Jowl, National Theatre Studio

  • Around 12 professional productions in the role of theatre-maker / designer

  • 15 years experience in the theatre, performing in over 25 major cities worldwide

When I'm not Feng Shui-ing you will find me goofing around with my children, noodling on the piano, cooking, sketching, photographing, swimming, walking my dog, reading, renovating our 17th century Forge and occasionally escaping to the cinema.

With thanks to all my teachers